Nothing is cramped either, it all fits so well with the custom made dividers that can literally be bent into shape. The Cinelux 21 does this perfectly, and with loads of room inside. With my upcoming travel I wanted a bag that was tough, would protect my gear very well, and would allow me to carry it all from the body, to the handle to my external shotgun mic to the batteries and charger system, the lenses and everything else. I own a cinema camera, nothing crazy like a RED or fancy high end system, but the C100 MKII by Canon and I love it. Sorry, I accidentally overexposed this a bit… I have reviewed a ton of camera bags, but never have I owned one like this.
With the huge doctor bag style opening up top to the custom aluminum lined dividers, to the pouches and padding they offer as well as the aluminum braced bag itself, I was happy to see this bag come in at under $220. To those who own and use cinema cameras, I am sure there are loads of bag options out there but Tenba has really hit one out of the park here for protection capability, usability and functionality. Cameras like the Sony FS5, FS7, Canon C100 MKII, and even Blackmagic and RED systems. It is in the new Cineluxe line that feature bags made for cinema cameras. I will have some updates this week from the road and possibly some big news ) Until then, check out this new bag from. to NYC to Illinois then Ohio, but wanted to get this post in before I left. Hello to all and good morning! I will be traveling this week, and the next from AZ. Photo right: Nudibranchs always make beautiful photo subjects.A Look the Tenba Cineluxe 21 Cinema Film Making Camera Bag! (Video) Photo left: A male cardinalfish shows us the eggs he is brooding. Serge's Mini Portfolio - Canon 7D Mark II Nauticam key-set, micro screwdrivers, pliers, cutting blade, duct tape, epoxy glue, super glue, alcohol, toothbrush, battery tester.Spare kit (fiber optic cables, c-clips for housing buttons, o-rings, clamps, ballmount o-rings etc).
Camerabag cinema review pro#
Strobes: Sea&Sea YS-250 Pro (optically triggered so i can use rear curtain sync)įocus Light: INON LF-800N on a carbonarm quick disconnectĪrms: 2x INON Megafloats M, 2x INON Floatarms ML, 2x Ultralight Floatarms and various normal arms Lenses: EF 100mm 2.8L Macro, EF-S 60 mm Macro, Tokina 35mm Macro, Tokina 10-17mm fisheye I'm now considering a switch to Seacam strobes.
It's a shame that Sea&Sea has discontinued these beautiful strobes. I optically trigger them, which allows me to use rear curtain sync on Canon. I have used various INON and Sea&Sea models before but really appreciate the speed of battery packs over strobes that take AA batteries. I am currently using Sea&Sea YS-250 strobes and love them for their power, recycle time and reliability. I also use a carbon arm with quick disconnect for my INON LF-800N torch I can take it off with one click and use it for lighting or backlighting. I use 6 different float arms and some "normal" arms to achieve the desired buoyancy for each lens/port combination. Not having to take your eyes off the viewfinder to change settings is priceless, and I would not, at least at the moment, want to switch to another housing brand.Īnother important important aspect of my camera system – besides housing ergonomics – is trim. The best example is how the cursor for changing focus points is located right on your fingertips, which is essential to me when shooting macro. I switched to Nauticam housings in 2010 because of their spot-on ergonomics. Our latest installment of What's in the Camera Bag looks at the gear used by photo pro Serge Abourjeily.
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